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ジョン・モリス氏旧蔵「報道写真」関連書コレクション |
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<洋古書コレクション> 【在庫】
JOHN G. MORRIS COLLECTION
Photojournalism & Photojournalists
伝説の写真誌編集者 ジョン・G・モリス旧蔵
“報道写真・報道写真家”コレクション
英書(500点)及びヨーロッパ書〔独仏伊他〕(110点)計610点
¥7,350,000 〔税込〕
このコレクションは、元ライフ誌、ワシントン・ポスト紙、ニューヨーク・タイムズ紙の著名な写真編集者、Magnum Photos の初代編集長を務め、アンリ・カルティエ=ブレッソンや、ロバート・キャパ等の著名な報道写真家と仕事を共にしたジョン・G・モリス氏の旧蔵書のコレクションです。 100冊以上の署名本や贈呈本が含まれています。 氏は Get the Picture(邦 訳:20世紀の瞬間、光文社. 1999年刊)の著者としても知られています
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| September 12, 2009, 55 years later, John G. Morris holds one of the photographs taken by Dirck Halstead during Capa´s burial. Impossible to express with words the emotional intensity lived. Photo: José Manuel Serrano Esparza |
John G. Morris |
John G. Morris at his home
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| John G. Morris working at his home in Paris, inside his impressive library containing a very comprehensive assortment of books on the best photographers in history. Photo: José Manuel Serrano Esparza. |
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Photojournalism is a particular form of journalism that creates images to tell a news story. It is usually understood to refer to still images which record events of national or international importance. Like a writer, a photojournalist is a reporter, but one who carries a camera. While working, a photojournalist has to make instant decisions, often while exposed to danger such as war or insurgent crowds.
Henri Cartier-Bresson is considered to be the father of modern photojournalism, which had its Golden Age from the early 1930s to the 1950s which was then dominated by the American magazine Life. Cartier-Bresson developed the style of real life reportage that has influenced the generations of photojournalists that followed. War has undoubtedly brought fame to photojournalists, most notably to Robert Capa, who is renowned for his D-Day photographs. Capa covered five wars until he was killed by a landmine in Vietnam in 1954.
However, the central figure in photojournalism is the photo editor, who has the crucial job of choosing the best images taken by the photojournalists for publication in prominent magazines and newspapers. John G. Morris, now aged ninety-three, is the most influential and experienced photo editor in history. Throughout a distinguished photojournalist’s career, which began in 1938 and during which he was most notably picture editor for Life, Morris has worked with the foremost photojournalists in the world, most of whom became his close friends. His autobiography Get the Picture was published in 1998 to celebrate sixty years as a photojournalist.
During those sixty years and during subsequent years, Morris assembled a remarkable library of books about photojournalism and photojournalists, which is offered here in its entirety. Of the five hundred titles, more than a hundred have ownership inscriptions and more personal inscriptions from some of the famous people with whom he worked. His collection of books is a printed tribute both to photojournalism and to photojournalists. His books include works by and about Henri Cartier-Bresson, Robert Capa, Cornell Capa, Alfred Eisenstaedt, Margaret Bourke-White, David Seymour, Walter Bischof, George Rodger, Hansel Meith, Elliott Erwitt, Eugene Smith, Inge Morah, Larry Burrows, Eve Arnold, Marc Riboud, the twins David and Peter Turnley, Dorothea Lange and many more. Scarcely any notable photojournalist is omitted from Morris’s library.
Scores of the pictures that Morris selected have achieved iconic status. Magazines such as Life built their huge readerships and reputations largely on the use of photography. Photographers such Henri Cartier-Bresson, Robert Capa, Margaret Bourke-White and W. Eugene Smith became international celebrities. John Morris, above all, was responsible for their fame.
In 1947, the photographic agency Magnum was founded by Robert Capa, David Seymour, Henri Cartier-Bresson and George Rodger. Magnum’s aim was to transcribe photographically an account of what was going on in the world. Magnum was a photographic co-operative of great diversity which included most of the world’s leading photojournalists. John Morris was Magnum’s first executive editor, and Magnum’s photography and history are well represented in his library.
Morris’s unique private collection of books on photojournalism and photojournalists was essentially a working library for himself, which he used on a daily basis. But the experience with which it has been gathered over many decades, makes the collection a most valuable resource for the study of photojournalism during the last seventy years.
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Part 1: English Books
(Item nos.1-500)
A unique and comprehensive private collection of 500 titles, including more than 100 inscribed and presentation copies, from the working library of John G. Morris, formerly picture editor for Life, The Washington Post, and The New York Times, first executive editor of Magnum Photos, and author of Get the Picture: A Personal History of Photojournalism, collected over a period of more than 60 years
Part 2: European Books.
A collection of 110 titles (Item nos.510-610) in French, German, Italian and Swedish
詳細リストは こちら (PDF 75p. 334KB)
Interview and Indicated Pictures: José Manuel Serrano Esparza. LHSA . Paris (France). September 12, 2009
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| John G. Morris with Henri Cartier-Bresson. Photo: René Burri. |
A Bert Stern 1957 group portrait of Magnum in 1957: Inge Morath, Olga Brodsky, Allen Brown, Elliot Erwitt, Seemah Battat, Sam Holmes, Trudy Felieu, Eve Arnold, Erich Hartman, Inge Bondi, Dennis Stock, Ernst Haas, Cornell Capa, Henri Cartier-Bresson, Burt Glinn and John. G. Morris. |
Paris, 2009. John G. Morris holds in his hand a portrait of Robert Capa made in the French capital by Ruth Orkin in 1952. Fifty-seven years later, Bob´s glorious photographic legacy is more alive than ever, as was always wished by his brother Cornell. Photo: José Manuel Serrano Esparza |
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| The Life's photojournalists assigned to coverage the D-Day, posing a week before the massive attack on Normandy beaches: Bob Landry, George Rodger, Frank Scherschel, Robert Capa, Ralph Morse, John G. Morris and David E. Scherman. Photo: Life Magazine. |
General Nguyen Ngoc Loan of South Vietnam army summarily executing a Vietcong prisoner with a gun shot through his head in a street of Saigon. John G. Morris suggested it for page one to the managing editors of The New York Times, and everybody agreed. Photo: Eddie Adams / AP. |
On June 5, 1968, Robert Kennedy was at the Ambassador Hotel of Los Angeles, celebrating his successful campaign in the California primary election and had just finished addressing supporters in the hotel main ballroom, when Sirhan Sirhan assassinated him in the kitchen of the hotel with a .22 caliber gun. John G. Morris was at a very short distance in the quoted ballroom, and heard the shots. Photo: Boris Yaro / Los Angeles Times. |
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